Research and find where these scholarly documents, books, and articles are and attach their link and any other valid information relating to these sources. Under each source write a brief summary (200 words) of its information and importance.
Weldman, Jeffrey. “William Rimmer: Critical Catalogue Raisonne.” PhD. diss., Indiana University, 1982.
The Bridgewater Book. Boston: George H. Ellis, Printer, 1899.
Denney, Colleen. At the Temple of Art: The Grosvenor Gallery. 1877-1890 Madison, New Jersey: Fairleigh Dickinson University Press, 2000.
James, Henry. Picture and Text. New York: 1893.
Millet, F. D “Fine Arts of the Present Time.” In Massachusetts Commission to the Vienna Exposition. Reports of the Massachusetts Commissioners to the Exposition at Vienna. 1873.
With Special Reports Prepared for the Commission. Edited bv Hamilton A. Hill. Associate Commissioner. 157- 215. Boston: Wright and Potter, State Printers, 1875.
Bermingham, Peter. American Art in the Barbizon Mood. Washington D.C.: Smithsonian Institution Press, 1975.
Decorative Panels for the Federal Building, Cleveland, Ohio, Painted by F.D. Millet, February 23-25, 1911. Catalog produced; Corcoran Gallery of Art, Washington, D.C. Hayward, Judith. “The Italian Presence in American Art, 1860-1920.” In The Italian Presence in American Art 1860-1920,9-34. New York: Richard York Gallery, 1989.
Weber, Bruce. Drawn From Tradition: American Drawings and Watercolors from The Susan and Herbert Adler Collection. West Palm Beach: Norton Gallery of Art, 1989.
Weber, Bruce. “Philosophy in Summer.” In Bruce Weber. American Paintings VI. 1990.62-63. New York: Berry-Hill Galleries, Inc., 1990.
Weinberg, H. Barbara. “The Lure of Paris. Late-Nineteenth-Century American Painters Sc Their French Training.” In Theodore E. Stebbins, Jr., Carol Troyen & Trevor F. Fairbrother. A New World: Masterpieces of American Painting 1760- 1910.16-32. Boston: Museum of Fine Arts, Boston, 1983.
Weinberg, H. Barbara. “Cosmopolitan Attitudes: The Coming of Age of American Art.” In Annette Blaugrund et al, Paris 1889: American Artists At the Universal Exposition. 33-51. Philadelphia: Pennsylvania Academy of Fine Arts, 1989.
Baekeland, Frederick. “Collectors of American Painting, 1813 to 1913.” American Art Review 3,6 (November- December 1976): 120-166.
Barter, Judith A. “Frank Millet and Nineteenth Century History Painting.” Nineteenth-Century American Art. Mead Art Museum Monographs 5 (Spring 1985): 5-9.
Cikovsky, Nicolai, Jr., “William Merritt Chase’s Tenth Street Studio,” Archives of American Art Journal 16. (1976), pp. 2-14.
Clark, H. Nichols B. “A Taste for the Netherlands: The Impact of SeventeenthCentury Dutch and Flemish Genre Painting on American Art 1800-1860.” American Art Journal 14,2. (Spring 1982): 23-38.
“The Munich Exhibition. American Works of Art Collected for It.” Boston Daily Advertiser. 21 May 1883, p. 8.a
“Memorial Windows . . ., Boston Daily Advertiser, June 21, 1889.
“Expression in Glass.” Boston Globe. 21 June 1889.
“Roman Arms and Costumes. Another of Mr. F. D. Millet’s Interesting Course of Lectures.” New York Times. 8 March 1882, p. 3
“Sixteenth Annual Exhibition.” New York Tribune. 27 January 1883, p. 5.
“The Artist’s Fund Society. Twenty-Third Annual Exhibition.” New York Tribune. 28 January 1883, p. 7.
“The Water Color Society.” New York Tribune. 2 February 1884, p. 2.
Jarvis, Robert. “The National Academy Exhibition,” Art Amateur 11 no. 1 (June 1884): Illustrated London News, 5 May 1888, 473.
“The Henry Tate Collection,” Art Journal [London] (1893): 300
L.G., “Artist Millet’s Paintings for the Custom House. Baltimore American. October 6, 1907: 224-225.
“Art News and Comments.” New York Tribune. 1 June 1884, p. 4. G. W. S.
“The Watts Exhibition.” New York Tribune. 1 September 1884, p. 6.
