What are the effects surrealism has on Modern Art; Salvador Dali, Pablo Picasso, Andre Breton Research Proposal File Is Attached As Well As Images, PLEASE USE!!
Use
end notes rather than footnotes for this paper.
Any
text that you cite in the end notes should also be cited in the bibliography.
End notes
and bibliography should be listed at the end of the paper and do not count as
the body of the text. AKA your cover page, end notes, images, and bibliography
do not count towards the page requirement!
Please
also include illustrations that are identified in the text as fig. 1, fig. 2,
etc. and listed with all the information on a separate illustrations list that
should come after the end notes and bibliography.
Web
References: No web references are permitted unless they are from a
peer-reviewed website, the artists’ website, or a primary source. If you are
not sure about a website, just ask me!
Include Text Listed Below As A Source!!
– History of Modern Art, 7th Edition ISBN: 9780205975129 By: Elizabeth C. Mansfield
Formatting
Details for the Research Paper
Length: 9-10 Typed pages
Double-spaced
(225 words per page), Times New Roman, Font 12.
Print must be dark & legible.
Structure
Title
Page (title, your name and date)
Text
(9-10 pages)
End notes
(1-3 pages)
Bibliography
(1-3 pages)
List
of illustrations (1-2 pages).
Ex.:
Figure 1. Agriculture, Raft of the Medusa, 1819. Oil on canvas,
16’ 1” x 23’ 6”, Louvre.
Images
of each illustration with the following information below: figure number, with
artist, title, date of the work, medium, size, and location.
Below are examples of how to cite books and articles in the
bibliography.
Bibliography
Examples of books:
Bailey, Colin. The
Loves of the Gods: Mythological Painting from Watteau to David. New York:
Drizzle, 1992.
Crow, Thomas. Emulation.
Making Artists for Revolutionary France. New Haven and London: Yale
University Press, 1995.
Fieldsman, Burton, and Robert D. Richardson. The Rise of Modern Mythology 1680-1860.
Bloomington and London: Indiana University Press, 1972.
Rosenberg, Robert. Transformations
in Late Eighteenth-Century Art. Princeton, NJ: Princeton University Press,
1967.
