What specific evidence do you see in films like Oscar Micheaux’s The Girl from Chicago or Spencer Williams’ The Blood of Jesus and Dirty Gertie that supports Thomas Cripps’ thesis about the viability of “race” films in the 1940s and after?

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What specific evidence do you see in films like Oscar Micheaux’s The Girl from Chicago or Spencer Williams’ The Blood of Jesus and Dirty Gertie that supports Thomas Cripps’ thesis about the viability of “race” films in the 1940s and after? Do you agree with Cripps?

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