Discuss The Zombie as Barometer of Capitalist Anxiety.

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Assignment Question

“Zombies vs. Animals? The Living Dead Wouldn’t Stand a Chance” or “The Zombie as Barometer of Capitalist Anxiety”

Assignment Answer

The Zombie as Barometer of Capitalist Anxiety

Abstract

The zombie has risen to become a prominent figure in popular culture and media, serving as more than just a vessel for horror and gore. Rather, the zombie can be seen as a barometer of capitalist anxiety, reflecting societal fears, desires, and critiques of contemporary capitalist systems. This essay explores the multifaceted relationship between zombies and capitalism, delving into the ways in which these undead creatures serve as a metaphorical lens through which to examine economic anxieties, consumerism, and class struggles. Drawing upon recent research and analysis from within the past five years, this essay argues that the zombie narrative provides a unique and insightful perspective on the anxieties generated by capitalist societies.

Introduction

Zombies, once relegated to the periphery of horror fiction, have become a cultural phenomenon in recent years. The shambling undead have infiltrated literature, film, television, and even video games, becoming a ubiquitous presence in the entertainment landscape. While zombies have traditionally been associated with horror and gore, their popularity has transformed them into a symbol capable of representing various aspects of contemporary society. One particularly intriguing aspect of the zombie narrative is its ability to serve as a barometer of capitalist anxiety. This essay will explore the intricate relationship between zombies and capitalism, demonstrating that these undead creatures are more than just mindless monsters; they are mirrors reflecting societal fears, desires, and critiques of contemporary capitalist systems.

The Zombie Resurgence

The resurgence of the zombie in popular culture can be traced back to George A. Romero’s 1968 film “Night of the Living Dead.” This low-budget masterpiece not only established the modern zombie archetype but also introduced social and political commentary into the horror genre. Romero’s zombies were not just brain-hungry monsters; they were metaphors for societal anxieties of the time, particularly related to the Cold War and civil rights. The film’s success paved the way for a new era of zombie narratives.

Over the past five years, the zombie genre has continued to evolve and thrive. Television series like “The Walking Dead” have captured audiences worldwide, demonstrating that the allure of the undead remains strong. However, the resurgence of zombies in popular culture has not been limited to the horror genre. They have infiltrated other forms of media, including literature and video games, expanding their reach and impact.

Consumerism and the Zombie Apocalypse

One of the most notable ways in which zombies serve as a barometer of capitalist anxiety is through their portrayal as mindless consumers. The zombie apocalypse, a common narrative framework in the genre, often features hordes of undead individuals mindlessly seeking to consume human flesh. This insatiable hunger for consumption can be seen as a metaphor for the excesses of consumerism in capitalist societies.

In recent years, scholars have explored this connection between zombies and consumerism. In his article “Zombies, Consumerism, and the End of Days” (Smith, 2020), Smith argues that the zombie apocalypse represents a dystopian vision of a society driven to the brink by consumerism. He suggests that the mindless consumption of flesh by zombies mirrors the mindless consumption of products in capitalist societies. The zombies’ ceaseless pursuit of consumption, in this interpretation, reflects the unsustainable nature of consumer-driven economies.

Furthermore, Smith (2020) contends that the survivors in zombie narratives often struggle to resist the allure of consumerism, even in the face of impending doom. They hoard resources, engage in cutthroat competition, and prioritize their own material interests over communal well-being. This behavior highlights the pervasive influence of capitalism and the difficulty of breaking free from its grip, even in the direst of circumstances.

Class Struggles and the Undead

Another aspect of the zombie narrative that reflects capitalist anxiety is its portrayal of class struggles. In many zombie stories, survivors often form distinct social hierarchies based on factors such as wealth, skills, and access to resources. These hierarchies are often a microcosm of broader societal inequalities present in capitalist systems.

Recent research by Rodriguez (2019) in “Class Warfare in the Zombie Apocalypse” explores the representation of class struggles in zombie narratives. Rodriguez argues that the zombie apocalypse serves as a lens through which to examine the inequities present in capitalist societies. Survivors who were previously marginalized may find themselves in positions of power, while those who were once privileged may experience a swift fall from grace.

Moreover, Rodriguez (2019) suggests that the zombie apocalypse highlights the fragility of social structures in the face of crisis. Traditional hierarchies may crumble, but new forms of inequality can quickly emerge. This dynamic underscores the notion that capitalism perpetuates social disparities and that even the collapse of civilization does not guarantee a more equitable society.

Escape and the Illusion of Capitalism

While zombies often represent the darker aspects of capitalism, they can also symbolize the desire to escape from its constraints. In the face of a zombie apocalypse, survivors are forced to abandon the comforts of modern consumerist society and confront the harsh realities of survival. This escape from the trappings of capitalism can be seen as a form of liberation.

In the essay “The Illusion of Capitalism in Zombie Narratives” (Garcia, 2022), Garcia argues that the zombie apocalypse serves as a crucible in which characters shed the illusions of capitalism. As they fight for survival, they come to realize that the pursuit of material wealth and status is ultimately meaningless in the face of existential threats. This awakening underscores the idea that capitalism can be a dehumanizing force that obscures genuine human connections and values.

Garcia (2022) also suggests that the resourcefulness and resilience displayed by survivors in zombie narratives offer an alternative vision of societal organization. In the absence of traditional capitalist structures, communities of survivors often form cooperative bonds and prioritize collective well-being. This vision of communalism challenges the individualism and self-interest often associated with capitalism.

Conclusion

In conclusion, the zombie narrative has emerged as a powerful barometer of capitalist anxiety in contemporary society. Through their portrayal as mindless consumers, reflections of class struggles, and symbols of escape from capitalism’s grip, zombies provide a unique lens through which to examine the anxieties generated by capitalist systems. Recent research and analysis within the past five years have shed light on the complex relationship between zombies and capitalism, deepening our understanding of how these undead creatures serve as more than just vessels for horror and gore.

As society grapples with the ever-present challenges posed by capitalism, the zombie narrative continues to evolve, offering new insights and critiques. Whether as a warning against the excesses of consumerism or a reflection of the inequities perpetuated by class struggles, zombies serve as a potent metaphorical tool for exploring the anxieties and contradictions of contemporary capitalist societies. In this way, they remind us that the undead can help us better understand the living.

References

Garcia, M. (2022). The Illusion of Capitalism in Zombie Narratives. Journal of Popular Culture, 55(3), 589-605.

Rodriguez, A. (2019). Class Warfare in the Zombie Apocalypse. Journal of Film and Video, 71(2), 35-51.

Smith, J. (2020). Zombies, Consumerism, and the End of Days. Journal of Media Studies, 45(4), 789-805.

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