At the end of the play, Nora specifies that she has “[d]uties to myself” and that these duties cause her to walk out the door. Where in the film performance does it become apparent to the viewer that Nora starts to see herself as more than a “doll” or object? How does Nora grow stronger as the performance continues? Is Nora’s growth exhibited only in her words — or are there places in the film where the viewer can actually see her transformation? The materials needed for the assignment this is the lecture https://youtu.be/wP5JOwRnWnw this is the film https://youtu.be/ZJDnHQT2BDk
