In “Performative Acts and Gender Constitution,” Judith Butler’s elaboration of gender performativity launches from an analysis of Simone de Beauvoir’s famous statement in The Second Sex, “one is not born but rather becomes a woman.”

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In “Performative Acts and Gender Constitution,” Judith Butler’s elaboration of gender performativity launches from an analysis of Simone de Beauvoir’s famous statement in The Second Sex, “one is not born but rather becomes a woman.” After explaining what this “becoming” means for Beauvoir in the context of The Second Sex, explain how Butler brings this statement into new territory.

 

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