The poets Pope, Shenstone, Finlay, and the artist Derek Jarman, made their gardens on the model of an alternative ‘place to stand’ in relation to their surrounding culture. How successful do you think their gardens are at realising this aim. Model your answer around at least two of the gardens.
Marking criteria: https://intranet.exeter.ac.uk/humanities/studying/taughthandbook/assessment/humassesscriteria/
