Write a reflection on how directors and cinematographers shape meaning in film using mise-en-scène. Michael Curtiz’s
Casabanca (1943)
1. Explain whether your film is an example of realism.
2. What shots and angles do directors and their cinematographers choose and why?
3. How do lighting and angles function in the scenes you chose?
4. Does the film’s aspect ratio play any role in developing the film’s themes?
