Research Proposal File Is Attached As Well As Images, PLEASE USE!!
Use
endnotes rather than footnotes for this paper.
Any
text that you cite in the endnotes should also be cited in the bibliography.
Endnotes
and bibliography should be listed at the end of the paper and do not count as
the body of the text. AKA your cover page, endnotes, images, and bibliography
do not count towards the page requirement!
Please
also include illustrations that are identified in the text as fig. 1, fig. 2,
etc. and listed with all the information on a separate illustrations list that
should come after the endnotes and bibliography.
Web
References: No web references are permitted unless they are from a
peer-reviewed website, the artists’ website, or a primary source. If you are
not sure about a website, just ask me!
Include Text Listed Below As A Source!!
– History of Modern Art, 7th Edition ISBN: 9780205975129 By: Elizabeth C. Mansfield
Formatting
Details for the Research Paper
Length: 9-10 Typed pages
Double-spaced
(225 words per page), Times New Roman, Font 12.
Print must be dark & legible.
Structure
Title
Page (title, your name and date)
Text
(9-10 pages)
Endnotes
(1-3 pages)
Bibliography
(1-3 pages)
List
of illustrations (1-2 pages).
Ex.:
Figure 1. Géricault, Raft of the Medusa, 1819. Oil on canvas,
16’ 1” x 23’ 6”, Louvre.
Images
of each illustration with the following information below: figure number, with
artist, title, date of the work, medium, size, and location.
Below are examples of how to cite books and articles in the
bibliography.
Bibliography
Examples of books:
Bailey, Colin. The
Loves of the Gods: Mythological Painting from Watteau to David. New York:
Rizzoli, 1992.
Crow, Thomas. Emulation.
Making Artists for Revolutionary France. New Haven and London: Yale
University Press, 1995.
Feldman, Burton, and Robert D. Richardson. The Rise of Modern Mythology 1680-1860.
Bloomington and London: Indiana University Press, 1972.
Rosenblum, Robert. Transformations
in Late Eighteenth-Century Art. Princeton, NJ: Princeton University Press,
1967.
Examples of articles:
Banks, Ada Shadmi. “Two letters from Girodet to
Flaxman”, The Art Bulletin LXI,
no. 1 (1979): 100-101.
Johns, Christopher.
“Portrait Mythology: Antonio Canova’s Representations of the Bonapartes”, Eighteenth-Century Studies 28 (1994):
115-129.
Rubin, James. “Endymion’s Dream as a Myth of Romantic
Inspiration.” Art Quarterly I
(Spring, 1978): 47-84.
Endnote
Formats
Below are some examples
of how to cite books and articles in endnotes.
For additional examples please consult The Chicago Manual of Style (on Reserve in the Main Library)
Notes should be
double-spaced and in the same format as the text (Times New Roman, 12 font).
Examples of books:
1. Robert Herbert, Impressionism: Art, Leisure and Parisian Society (New Haven and
London: Yale University Press, 1988), 10-33.
2. Ibid., 55.
3. Linda Nochlin, The Politics of Vision: Essays on Nineteenth-Century Art and Society (New
York: Harper and Row, 1989), 101-103.
4. Herbert, Impressionism, 72-78.
Examples of articles:
5. Ada Shadmi Banks, “Two letters from Girodet to
Flaxman”, The Art Bulletin LXI,
no. 1 (1979), 50.
6. Christopher Johns, “Portrait Mythology:
Antonio Canova’s Representations of the Bonapartes”, Eighteenth-Century Studies 28 (1994), 115-129.
7. James Rubin, “Endymion’s Dream as a
Myth of Romantic Inspiration.” Art
Quarterly I (Spring, 1978), 47-84.
Multiple citations of
books and articles in the same footnote or endnote:
8. Robert Herbert, Impressionism. Art, Leisure and Parisian Society (New Haven and
London: Yale University Press, 1988), 42; Thomas Crow, The Intelligence of Art (Chapel Hill and London: The University of
North Carolina Press, 1999), 81-90;
Yvonne Korshak, “Paris and Helen by Jacques-Louis David:
Choice and Judgement on the Eve of the French Revolution”, The Art Bulletin (March, 1987), 102-116.
Use Ibid. if you are referring to a book or
article you just cited in the previous note (see notes 1 and 2 above).
Shorten the reference
when referring to a book or an article you already cited in an earlier note
(see notes 1 and 4 above)
