Critically discuss the televisual and popular-cultural afterlife of Friends. How might we explain the popularity of this programme for a generation of viewers who were born after its initial broadcast run, and what issues might be engendered

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C‌‍‍‍‌‍‍‌‌‌‍‌‍‍‍‍‌‍‌‌ritically discuss the televisual and popular-cultural afterlife of Friends. How might we explain the popularity of this programme for a generation of viewers who were born aft‌‍‍‍‌‍‍‌‌‌‍‌‍‍‍‍‌‍‌‌er its initial broadcast run, and what issues might be engendered (e.g. around representation and reception) when a show from the 1990s is consumed in the contemporary moment‌‍‍‍‌‍‍‌‌‌‍‌‍‍‍‍‌‍‌‌?

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