A post-production house in Soho London has made the bold decision to go UHDTV 1 (3840 × 2160) with a plan for UHDTV2 (7680 × 4320) support in the future. It must comply with the new Digital Production Partnership UHDTV/HD guidelines. its post-production workflow is for both Cinema and Broadcast Post-Production. You need to prepare an analysis report on the complexities and challenges of adopting both UHDTV types and 4:4:4:4 XQ workflows. Refer specifically to the outputs from the three lead Digital cinema cameras. Compare the capabilities of 4:2:2 colour subsampling and why 4:4:4:4 XQ is superior. What hardware/software do you suggest the company invest in. How can NLE systems handle 4K. What impact will this method of working have on the Network infrastructure of the company.