Remark on the major departures/changes in film scoring in the late 1950s,1960s, and early 70s, using examples from films we have looked at in our class including Rebel Without a Cause, Streetcar Named Desire, Clockwork Orange, 2001: Space Odyssey, and Psycho.
How did directors and film score composers break with tradition during this time? What styles of music begin to be used that deviate from traditional orchestral film scoring? What new roles does music begin to serve in a film?
