Define the function of external symbolism as Anderson and Fitzgerald employ it. How does external symbolism reveal characters’ states of mind in “Hands” and “Babylon Revisited”? What type of reading demands does this approach make on the audience?
2. Define the function of internal symbolism as Porter and Hemingway employ it. In other words, define interior monologue and/or stream of consciousness and show how the authors use them in “Flowering Judas” and “The Snows of Kilimanjaro” to dramatize specific forms of thought (hallucinations, dreams) to convey their internal states of mind.
